| Date | Desc | etree id | Rt | Notes | Flaws | dgf |
| xx/xx/70 | Tarot Music: Garcia, Lesh, Constanten, Hart, Greene |
| "Tarot" outtakes; flac1644; unkn cassette gen from late 70s trade > Pioneer CT-F1000 > sony pcm-r700 > sbm 44k > delta dio 2496 > cooledit200 > levels raised > shn > wav > flac | 116952 | B | *** |
| xx/xx/70 | Original Title: "GARAGE JAM, MARIN COUNTY, CALIFORNIA 1970" |
| Garcia, Weir, Cipollina & Sears: 1st gen analog tape > behringer ultra curve pro deq 2496 audio equalizer > tascam audio cdrw750 > plex tool professional XL > wav > flac. Seeded by '38f' to Dimeadozen as part of compilation "JOHN CIPOLLINA - ULTRA RA | 95696 | *** |
| xx/xx/70 | the matrix, San Fran |
| Garcia and Friends: MSR? > ? > DAT > CD > Eac > cool edit > shntool > cdwav > shnv3. | 16143 | B+ | this matches to 10/21/70 13534 with same wav and spectral view and levels and digital flaws | *** |
| xx/xx/70 | PACIFIC HIGH RECORDERS, SAN FRANCISCO, CA., USA |
| KSAN-FM BROADCAST > LINEAGE UNKNOWN > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC via davmar to Lossleggs, | 102197 | B+ | in 4-way comparison on the race is on, 102197 has the fullest sound; next fullest is the john cipollina raities vol2 and that has more hiss; jerrities vol1 has noise reduction and sounds unnatural and is harshest; 95696 has severe noise reduction and is unnatural sounding | *** |
| xx/xx/70 | JERRITIES: Volume 1. |
| jerrities volume 1;, jerry garcia, bob weir, john cipollina & bill champlin, pacific high recorders, san francisco, ca, transmitted live over ksan fm in 1970 (exact date unknown), 1 the race is on, 2 silver threads & golden needles, 3 let me in 83968, 4 dark hollow, jerry garcia - pedal steel, bob weir - guitar, vocals, john cipollina - guitar, bill champlin - piano, --------------------------------------------, jerry garcia, duane allman & bob wier, wbcn fm studios, boston, ma, saturday afternoon, november 21, 1970, 5 el paso, 6 -tuning/talking-, 7 big river, 8 i know you rider, 9 -tuning/talking-, 10 instrumental, 11 -tuning/talking-, 12 dark hollow, 13 -tuning/talking-, 14 angie*, 15 -tuning/talking-, 16 let me in 83968**, -outro..., all songs jerry garcia & bob weir except:, *duane allman solo, **bob weir & duane allman, pigpen & gregg allman are there too but they don't play., --------------------------------------------, jerry garcia, bob weir, david nelson & john dawson, sunday string quartet @ kppc, pasadena, ca, sunday morning, december 28, 1970, 17 -intro/tuning/talking-, 18 silver threads & golden needles, 19 -tuning/talking-, 20 cold jordon, 21 -tuning/talking-, 22 a voice from on high, 23 swing low sweet chariot, 24 -talking/promo for el monte dead show/salty dog, outro..., jerry garcia - guitar, vocals, bob weir - guitar, vocals, david nelson- mandolin,vocals, john dawson - guitar, vocals, ----------------------------------------, nitty gritty dirt band, w/ jerry garcia, frank wakefield & vassar clements, golden state bluegrass festival, san rafael,ca, april 27, 1974, 25 heartbreak hotel*, 26 orange blossom special*, 27 jambalaya**, 28 sally goodin, **, 29 battle of new orleans**, *jerry garcia on banjo, frank wakefield on mandolin, vassar clements on fiddle, ** jerry garcia on telecaster! | *** |
| xx/xx/70 | If I Could Only Remember My Name: The Alternate Album, Definitive 2008 edition, Wally Heider's Studio, San Francisco |
| late 1970, excellent quality, the recording details in the enclosed artwork., in the history of bootleg collecting rarely a single set of tapes, aroused so many speculations and undivided interest during, very long period of time as it was in the case of the recordings, od david crosby during and after recording of his solo album, if i could only remember my name, commonly called perro, tapes., it all started in 1991 with 120 minutes perro dat tape that, paul kantner made from the original tapes that were in the, possession of graham nash and at the same time c-90 cassette, with, presumably at the time, if i could only remember my, name outtakes started to circulate. later, the set of three c-90, cassettes was labeled, perro tapes, although a lot of materials, were instantly recognised as david and the dorks matrix tapes, and so called hart jam. in 1997, the first set of four cd-rs, included the most of non-perro tracks from the mentioned, cassettes. a year later, double cdr, if i could only remember, the outtakes, joint venture of a dutch collector and eastern, european collector started making turns in the trades among, the collectors of crosby and company. although often blamed, as the set of outfakes it was widely circulated for a long time., the first true reference set of perro discs showed up in 2001, and it was consisted of 2 cdr named, perro: the stephen, barncard rough mixes, and 2 cdr named, the perro, supplement: a collection of perro-related tracks, the first, two discs consisted of the complete legendary perro dat, recording in the best quality., the first, new, recordings started to circulate in 2007 with, the compilation of iicormn and perro tracks in the superior, quality than ever before. the bootleg was called, everybody, here can be in the band, but on the torrent sites it was called, david crosby sessions, or, iicormn - the sessions, . later in, the year, three sets of tracks started to circulate under titles:, acoustic, electric, and residue, all in similar superior, quality. some of the tracks were of suspicious origin, but the, improvement in quality was obvious., the set in your hands is the best quality and the most complete, collection of genuine iiormn outtakes and the best quality, versions of perro tracks. all outfakes were disregarded, same, as the tracks that were not the integral part of david crosby, sessions, such was jefferson airplane bark session that was, included in perro supplement., until something new would show up, i hope that this could serve, as true reference of magnificent david crosby sessions, from 1970-1971., pr, january 2008; 1. Music Is Love - no conga overdubs, 2. Cowboy Movie - instrumental, no Garcia overdubs, 3. Cowboy Movie - rough mix, the longest version, 4. Tamalpais High (At About 3) - "full blown" version, 5. Laughing - rough mix, 6. What Are Their Names - rough mono mix, 7. Traction In The Rain - alternate mix, 8. Song With No Words - short version aka demo version, mono, 9. Orleans - alternate stereo mix, 10. I'd Swear There Was Somebody Here - rough mix, 11. Wooden Ships - studio demo | B | some of this lossy; very harsh; i dont know if there is any jerry on this not on other selections |
| xx/xx/70 | Jerrities Vol 1 |
| my shn was create using eac from trade cdrs from the person circulating this on budd;, a 79+ minute cd compiling several rare 1970 fm broadcasts, featuring jerry garcia and various friends (including duane allman!), plus as, filler, a one-off appearance of garcia sitting in with the nitty gritty dirt band, in 1974. most of this material doesn't seem to circulate much and is e xtremely difficult to find in reasonably good quality, which it is here, with the, 1970 ksan material here in excellent quality. with the exception of the 1974, material, these recordings were sourced from alan bershaw s 7 inch reel, copies@7.5ips, transfered to dat@44.1k and then to cdr. there may be better copies out, there, but these are a big improvement over any i've ever heard of this, particular material. alan came up with the jerrities title as a morph of, jerry+rarities --get it? here is the tracklist:; source info:, the 1970 recordings transfered from alan bershaw s 7 inch reels@7.5ips, fm->?->reels@7.5ips->dat@44.1k->cdr->cdr, the 1974 recording comes from a soundboard cassette of unknown geneology,; very good to excellent sound; Jerry Garcia, Bob Weir, John Cipollina & Bill Champlin, Pacific High Recorders, San Francisco, CA, transmitted live over KSAN FM in 1970 (exact date unknown), 1 The Race Is On, 2 Silver Threads & Golden Needles, 3 Let Me In 83968, 4 Dark Hollow, Jerry Garcia - pedal steel, Bob Weir - guitar, vocals, John Cipollina - guitar, Bill Champlin - piano, --------------------------------------------, Jerry Garcia, Duane Allman & Bob Wier, WBCN FM Studios, Boston, MA, Saturday afternoon, November 21, 1970, 5 El Paso, 6 -tuning/talking-, 7 Big River, 8 I Know You Rider, 9 -tuning/talking-, 10 Instrumental, 11 -tuning/talking-, 12 Dark Hollow, 13 -tuning/talking-, 14 Angie*, 15 -tuning/talking-, 16 Let Me In 83968**, -outro..., All songs Jerry Garcia & Bob Weir except:, *Duane Allman solo, **Bob Weir & Duane Allman, Pigpen & Gregg Allman are there too but they don't play., --------------------------------------------, Jerry Garcia, Bob Weir, David Nelson & John Dawson, Sunday String Quartet @ KPPC, Pasadena, CA, Sunday morning, December 28, 1970, 17 -intro/tuning/talking-, 18 Silver Threads & Golden Needles, 19 -tuning/talking-, 20 Cold Jordon, 21 -tuning/talking-, 22 A Voice From On High, 23 Swing Low Sweet Chariot, 24 -talking/promo for El Monte Dead show/Salty Dog outro..., Jerry Garcia - guitar, vocals, Bob Weir - guitar, vocals, David Nelson- mandolin,vocals, John Dawson - guitar, vocals, ----------------------------------------, Nitty Gritty Dirt Band, w/ Jerry Garcia, Frank Wakefield & Vassar Clements, Golden State Bluegrass Festival, San Rafael,CA, April 27, 1974, 25 Heartbreak Hotel*, 26 Orange Blossom Special*, 27 Jambalaya**, 28 Sally Goodin'**, 29 Battle Of New Orleans**, *Jerry Garcia on banjo, Frank Wakefield on mandolin, Vassar Clements on fiddle, ** Jerry Garcia on telecaster! | B+ | has same digital flaws as downloaded jerrities vol1 and is a close eac match on d1t2; this is more muffled with more hiss than berger 4/28/74 comp on heartbreak hotel | analog drops in sound level d1t5 1:30, 2:30, d1t7 0:39, 1:55; d1t8 5:46; d1t12 0:25 plus more on this track; discontinuity between d1t7 and d1t8 gives small pop; | *** |
| xx/xx/70 | Hooteroll? + 2, Howard Wales and Jerry Garcia |
| Hooteroll? + 2, Howard Wales and Jerry Garcia | $ | A |
| xx/xx/70 | If I Could Only Remember The Outtakes, Nov 1970 thru Spring 1971, Wally Heider Studios A & C, San Francisco |
| if i could remember my name outtakes were usually mixed up with so-called perro tapes, the dorks rehearsals or mickey's barn, although basically totally different material were involved. it was usually traded as a single disc, bur here are all iicormn outtakes that ever circulated in probably the best quality around., pink robert; Disc 1, 01. Song With No Words, 02. Tamalpais High, 03. What Are Their Names, 04. Song With No Words, 05. Orleans, 06. I`d Swear There Was Somebody Here, 07. Music Is Love, 08. Laughing, 09. Laughing, 10. Traction In The Rain, 11. Traction In The Rain, 12. Traction In The Rain, 13. I`d Swear There Was Somebody Here, 14. I`d Swear There Was Somebody Here, 15. Music Is Love, Disc 2, 01. Music Is Love, 02. Laughing, 03. Laughing, 04. Song With No Words, 05. Song With No Words, 06. Tamalpais High, 07. Tamalpais High, 08. Tamalpais High, 09. Orleans, 10. Orleans, 11. Cowboy Movie, 12. Cowboy Movie, 13. Cowboy Movie, 14. Slide Jam | B+ | i dont know if there is any jerry on this not on other selections |
| xx/xx/70 | The Crosby Connection |
| see crosby-david 02/03/01; steve silberman w/host david gans, kpfa grateful dead marathon 2/3/01, pre-fm>cd>eac>flac a++, 350 mb; 1. Talk, 2. I used to Be a King (Graham Nash), 3. Change Partners (Stephen Stills), 4. Talk, 5. Cowboy Movie (11/3/70), 6. The Wall Song (Crosby, Nash, et al., 11/19/71), 7. Talk, 8. Lady Friend (Crosby demo, 1967), 9. Tamalpais High (At about 3, 12/13/70), 10. Talk, 11. Kids and Dogs (Crosby and Garcia, 11/70), 12. Talk, Total Time 63:04 | A | did not compare these tracks to other versions so do not know about overlap; some are commercially released |
| xx/xx/70 | Side Trips, Volume One |
| Side Trips, Volume One | $ | A |
| xx/xx/70 | All Good Things: Jerry Garcia Studio Sessions |
| All Good Things: Jerry Garcia Studio Sessions | $ | A |
| 10/21/70 | Matrix, San Francisco, CA |
| Garcia & others: Supposed MSR > DAT > CD. This material travels under many different names, including "Hot Dead Messenger Service", though the info file's identification of this as a "Matrix Tuesday Night Jam Session" seems implausible, since 10/21/70 | 13534 | B | 13534 is a close eac match on d1t1 to 84329; 84329 has more digital flaws | *** | ||
| Matrix Jam Session (Garcia and others): 1st generation reel to reel > revox > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac. | 84329 | discontinuity pops t2 9:51, 03 4:32, 04 10:16, 6:47 | *** |
| 11/21/70 | WBCN-FM Studios, Boston, MA |
| Garcia, Weir & Duane Allman: FM > ? > remastering > FLAC encoding, by Pink Robert. | 76324 | *** | ||||
| Garcia, Weir & Duane Allman: MFR > 2nd gen (?) reel > M-Audio Transit > Cool Edit > CD Wave Editor > FLAC, via Dave Tamarkin. | 76325 | same as shnid=77475 | *** | |||
| Garcia, Weir, and Duane Allman: MFC > 2C > SHN, via Chuck Kiefe, Jeff Cotsman. | 16378 | *** | ||||
| part of jerrities vol 1 cd, jerry garcia, duane allman & bob wier, saturday afternoon, november 21, 1970, all songs jerry garcia & bob weir except:, *duane allman solo, **bob weir & duane allman, pigpen & gregg allman are there too but they don't play.; 5 El Paso, 6 -tuning/talking-, 7 Big River, 8 I Know You Rider, 9 -tuning/talking-, 10 Instrumental, 11 -tuning/talking-, 12 Dark Hollow, 13 -tuning/talking-, 14 Angie*, 15 -tuning/talking-, 16 Let Me In 83968**, -outro... | B | seems to be from a 32k dat; in comparison on let me in, Jerrities Vol 1 has the fullest warmest sound but may be slower than the others, next is 16378 which also has more distortion; 76325 has more hiss; upgrade 76324 is narrowest and harshest and most unnatural probably with noise reduction; Jerrities Vol 1 and 76325 have an extra 4 seconds at beginning of d1t1 not on 16378 and 76324 |
| 12/15/70 | The Matrix, San Francisco, CA |
| David & the Dorks: SBD>MR>?>DAT>ZA2>CD | 6388 | *** | ||||
| David & the Dorks: sbd > mr > ? > dat > xa2 > cdr > shn > wav > flac, fixing and seeding by Sir Mick; see info file for more details. | 28368 | *** | ||||
| David & the Dorks: sbd > Reel(?) > ? > DAT(?) > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav, via Todd Evans. | 34711 | B+ | has similar wav and spectral view with higher levels than 6388 and 12/17/70 6389; 28368 has less hiss with less full sound | pop d1t6 1:07 | *** |
| 12/17/70 | The Matrix, San Francisco, CA |
| David & the Dorks: SBD>MR>?>DAT>ZA2>CD | 6389 | see 12/15/70 34711 | pop d1t6 1:06 | *** |
| 12/20/70 | The Matrix, San Francisco, CA |
| David and the Dorks: David Crosby, Jerry Garcia, Mickey Hart, Phil Lesh; mSR>Rn?>DAT>CD>EAC>SHN; via G. Tremblay | 4499 | B+ | *** | |||
| "david and the dorks", lineage: sbd>rn>dat>cd>eac>shn; from etree shn, very good sound, note: the 12/17/70 and 12/20/70 are reported to be the same but reorderd with 12/17 having an extra track but the 12/20 sounds a bit better to one observer (david crosby, jerry garcia, mickey hart, phil lesh); Disc 1 (7 tracks, 53:54) 1. Bertha 2. Deep Elem Blues 3. Drop Down Mama 4. Cowboy Movie 5. Triad 6. The Wall 7. Motherless Children |
| 12/27/70 | KPPC Studios, Pasadena, CA |
| "Sunday Quartet" (Garcia, Weir, Nelson, Dawson): pre-FM master reels > cassette > digital. See info text for extensive notes. | 26583 | A- | in comparison on swing low sweet chariot, this has a fuller harsher sound with distortion in loud parts of the vocals while jerrities vol1 is warmer but more muffled without the distortion | *** | ||
| part of jerrities vol 1 cd, jerry garcia, bob weir, david nelson & john dawson, sunday string quartet @ kppc, pasadena, ca, sunday morning, december 28, 1970, jerry garcia - guitar, vocals, bob weir - guitar, vocals, david nelson- mandolin,vocals, john dawson - guitar, vocals; 17 -intro/tuning/talking-, 18 Silver Threads & Golden Needles, 19 -tuning/talking-, 20 Cold Jordon, 21 -tuning/talking-, 22 A Voice From On High, 23 Swing Low Sweet Chariot, 24 -talking/promo for El Monte Dead show/Salty Dog outro | B |