Date | Desc | etree id | Rt | Notes | Flaws | dgf |
5/28/76 | Le Club Front Studios, San Rafael, Ca |
sbd vernon | 9769 | *** | ||||
rehearsals gems | 82947 | A | in comparison on eyes of the world 1, 82947 has a little fuller sound than 9769; 82947 also has more songs | *** |
6/3/76 | Paramount Theatre, Portland, OR |
sbd unknown | 7555 | A- | in comparison of sbds on row jimmy; 7555 has the wamest most natural sound; bertha 17266 sounds similar but with added echo; serafin 7719 is a little harsher than those; bertha 20004 is harsher, narrower and less natural sounding than those; that carries over to speed increased bertha 86745 and matrix 91912; all the sbds are close in speed to each other except for speed increased bertha 86745; note that 7555 has some annoying unpatched drop outs which are reported repaired on bertha 86745; the speed increased bertha 86745 matches to the speed on the auds but when listening to 7555 the slowness was not noticed and was more pleasant than the speed increased bertha 86745; for last 2 songs still need bertha 86745 | drop d1t5 3:55, d1t6 6:03, d2t1 7:14, d3t4 7:54, 12:44, d3t5 8:40 | *** | |
sbd serafin | 7719 | *** | ||||
aud vernon | 7825 | *** | ||||
lee weiner | 14263 | B+ | in 3-way comparison these auds seem to be different recordings based on different crowd at end of row jimmy; 14263 has the fullest sound with most hiss and echo and is the preferred aud, 99910 has the warmest sound but is also suppressed; 7825 has the harshest narrowest sound; 123464 may be same recording as 99910 based on same crowd or could just be nearby tapers; 123464 has similar sound quality to 14263 but that is a little fuller and warmer | *** | ||
sbd bertha | 17266 | *** | ||||
sbd bertha ashley | 20004 | *** | ||||
sbd seamons fix | 86745 | A- | in 3-way comparison on bertha sources, 17266 has too much added echo but is not as harsh as the others; the speed increase on 86745 matches close to the auds | *** | ||
mtx seamons | 91912 | *** | ||||
aud berger | 99910 | *** | ||||
mtx seamons ht06 | 123898 | *** | ||||
akgd224e | 123464 | *** | ||||
miller | 123608 | |||||
miller | 123607 | A | in comparison on row jimmy, 7555 has a warmer but more muffled sound than 123607; 123607 is much fuller clearer upfront sound; in comparison on candyman mtx 123898 is harhser, echoier, hissier, and not as clear | *** |
6/4/76 | Paramount Theatre, Portland, OR |
aud vernon | 8034 | *** | ||||
sbd cotsman | 9797 | B+ | in comparison on sugaree, sbd 9797 has the clearest fullest upfront sound; aud moore 99872 has a fuller warmer sound with less hiss than aud 8034 which is also distant; 9797 and aud moore 99872 were patched with aud 8034; sbd portion rates A- and aud portion rates B to B+ | *** | ||
aud berger | 99872 | B | *** |
6/9/76 | Music Hall, Boston, MA |
set2 sbd gardner | 5426 | |||||
hopkins vernon | 5982 | *** | ||||
sbd set2 cohen | 12207 | |||||
set1 sbd cotsman | 12382 | |||||
matrix chappell | 29323 | *** | ||||
sbd miller | 95399 | *** | ||||
aud maizner berger | 99063 | |||||
aud maizner berger | 99064 | B+ | in comparison on high time, 99064 has a fuller warmer sound with less hiss than 5982 | *** | ||
Boston Music Hall | $ | A | in comparison on high time, this sounds very similar to sbd miller 95399; matrix Sick Bits 29323 is more echoey with more hiss making it less clear; the same with aud moore 99064; in comparison on the end of cold rain and snow, sbd miller 95399 has more hiss than this | *** |
6/10/76 | Music Hall, Boston, MA |
unk dunahee stube | 237 | *** | ||||
hopkins vernon | 5918 | *** | ||||
sbd miller | 14264 | *** | ||||
moore minches | 18425 | B | *** | |||
warburton minches | 18426 | *** | ||||
sbd bertha ashley | 23370 | *** | ||||
sbd gems | 82921 | A- | in comparison on might as well, for sbds 82921 and miller 14264 have similar sound except miller 14264 is slightly warmer; bertha 23370 has more echo added; 237 is a little harsher; 82921 has more patches and fixes for problems on miller 14264; matrix 84985 is harsher, echoier, and less clear than the sbds; in comparison on sugaree for the auds, moore 18425 has the fullest warmest sound; next is Warburton 18426, and then Hopkins 5918 | *** | ||
matrix tobin | 84985 | *** |
6/11/76 | Music Hall, Boston, MA |
sbd mccartj | 238 | drop d2t4 1:05 | *** | |||
hopkins vernon | 5919 | *** | ||||
sbd jmason | 7824 | B+ | in comparison on candyman; sbds 238 and 7824 have similar sound; 7824 has more between tuning and they have different digital flaws; in comparison on the auds they are similar B- quality with hopkins 5919 more distant than moore 18387 | static d1t5 4:15 | *** | |
moore minches | 18387 | *** | ||||
sbd unknown | 22803 | (same md5 as shnid=238) | *** | |||
mtx seamons | 118256 | *** |
6/12/76 | Music Hall, Boston, MA |
fm wren | 5556 | A- | in comparison on friend of the devil for sbds, 5556 has a little fuller warmer sound than moore berger 100328 plus the aud wheel missing from the broadcast; fm is more upfront than the auds; the auds are different recordings based on different crowd at end of samson; in comparison on brown eyed for the auds, Warburton 110456 has the warmest most upfront sound; Hopkins 5983 is next warmest, digitalrbb miller111783 is harshest with more hiss; (some of this is filler on 6/9/76 road trips) | *** | ||
hopkins vernon | 5983 | *** | ||||
fm sbd moore berger | 100328 | *** | ||||
akg warburton berger | 110456 | B | *** | |||
aud digitalrbb miller | 111783 | *** |
6/14/76 | Beacon Theatre, New York, NY |
sony vernon | 10917 | B- | *** | |||
sbd hollister | 22804 | *** | ||||
set sbd sirmick | 78433 | *** | ||||
sbd bettycantor gems | 82308 | *** | ||||
sbd samaritano | A | this has more tuning between songs than the other sbds; in comparison of sbds on high time, this, SIRMick 78433, Hollister 22804, and gems 82308 have similar sound and spectral view except gems 82308 looks noiser above 16k but did not hear it | *** |
6/15/76 | Beacon Theatre, New York, NY |
sbd kempa | 241 | *** | ||||
sbd bertha ashley | 8732 | *** | ||||
sony vernon | 10307 | B- | *** | |||
sbd cantor gmb | 96088 | *** | ||||
sbd miller | 110148 | A | in comparison on candyman for sbds, miller 110148, cantor crouch dilbert gmb 96088, and Kempka 241 have similar sound; Kempka 241 does not have the patches; cantor crouch dilbert gmb 96088 has more compression and more minor digital flaws than miller 110148; bertha 8732 has more bass and may be overly bassy but does not have the patches | *** |
6/17/76 | Capitol Theater, Passaic, NJ |
sony vernon | 10178 | B | *** | |||
sbd miller | 80739 | A | in comparison on cold rain, Miller sbd 80739 has the most upfront clearest sound, then matrix 91861, then aud 10178 | *** | ||
mtx seamons | 91861 | *** |
6/18/76 | Capitol Theater, Passaic, NJ |
aud vernon | 9796 | *** | ||||
aud jackson | 13052 | *** | ||||
warburton vernon | 14449 | B- | 14449 is same recording as 9796 based on same clapping wavs at end of d1t3 and different than jackson 13052 based on different crowd on sugaree; in comparison on sugaree, 14449 has a warmer sound with less hiss than 9796; jackson 13052 has a wider fuzzier sound than 14449 but the piano is more in the background | *** | ||
ds outtakes sbd miller | 92266 | A | *** | |||
dead download | $ | A | need miller 92266 for missing song | *** |
6/19/76 | Capitol Theater, Passaic, NJ |
fm sbd seff | 1859 | in spectral view this has high end streaking as if transferred through a cheap soundcard | *** | |||
prefm nickspicks | 10186 | in spectral view this has almost all above 16k removed so possibly from 32k dat | *** | |||
prefm unknown | 12077 | this is lossy in spectral view as if from mini-disc | *** | |||
encore only fm cousinit | 23024 | *** | ||||
sbd digitalrbb miller | 111852 | A | in comparison on high time for sbds, digitalrbb miller 111852, 1859, and 10186 were closer in sound while 12077 was noticably less full; digitalrbb miller 111852 has a cleaner transfer and full show; matrix is not as upfront or clear of sound as sbds; | *** | ||
aud digitalrbb miller | 111875 | *** | ||||
mtx seamons | 121140 | *** |
6/21/76 | The Tower Theatre, Upper Darby, PA |
aud vernon | 6679 | *** | ||||
aud digitalrbb miller | 112162 | B | *** | |||
sbd digitalrbb miller | 112171 | |||||
sbd digitalrbb miller | 112191 | A | in comparison on sugaree, sbd digitalrbb miller 112191 has a fuller warmer more upfront sound than mtx seamons 121045; aud digitalrbb miller 112162 has a warmer fuller but less clear sound than Shure 6679 | this has a few occasional spots of static | *** | |
mtx seamons | 121045 | *** |
6/22/76 | The Tower Theatre, Upper Darby, PA |
aud vernon | 6680 | B | *** | |||
akg moore berger minches | 99093 | *** | ||||
sbd digitalrbb miller | 112218 | A | in comparison on comes a time, sbd digitalrbb miller 112218 has a fuller warmer more upfront sound than mtx seamons 112900; the auds are different recordings based on different crowd at end of US Blues; aud digitalrbb miller 112789 has most hiss and least clear; then shure 9976 and then 99093 which was also narrower sound than those | *** | ||
aud digitalrbb miller | 112789 | *** | ||||
mtx seamons | 112900 | *** |
6/23/76 | The Tower Theatre, Upper Darby, PA |
aud vernon | 6681 | B+ | in comparison on high time, moore 15534 has the warmest sound, then shure 6681, and then aud miller 95321; aud miller 95321 was least clear; moore 15534 and shure 6681 sound like they were taped near each other; moore 15534 is less full than shure 6681 and sounds suppressed; shure 6681 is missing yellow dog story and tuning on moore 15534 | *** | ||
moore vernon | 15534 | *** | ||||
aud miller | 95321 | *** |
6/24/76 | The Tower Theatre, Upper Darby, PA |
aud vernon | 6682 | *** | ||||
fm unknown | 11937 | B | has the reported occasional small pops | *** | ||
set2 sbd wiley | 14498 | A- | in comparison on help on the way, fm 14498 has a fuller sound than fm 11937 which is more muffled; fm 14498 has a more upfront sound than the mtx 87163 which is more echoey with more distortion; in comparison on it must have been the roses, fm 11937 has a fuller more natural sound with a little more hiss than fm 25478; fm 11937 has a more upfront less distorted sound than mtx 87163 and auds 6682, 76290, 112290; aud 112290 has a fuller less distorted sound than mtx 87163 and auds 6682 76290; so need fm 14498 for 2nd set and fm 11937 for first set | *** | ||
sbd dudeman | 25478 | first 10 tracks have nothing above above 8k as if stripped away by noise reduction and sound very narrow and unnatural; seems like started with 11937; the rest of the tracks seem from 14498 | *** | |||
shure tobin | 76290 | as indicated this is sped up 6682 | *** | |||
mtx tobin | 87163 | *** | ||||
aud digitalrbb miller | 112290 | C | *** |
6/26/76 | Auditorium Theatre, Chicago, IL |
aud vernon | 7340 | B | *** | |||
sbd miller | 95306 | A- | in comparison on stella blue, sbd 95306 has most upfront sound, then mtx is more echoey and less clear; aud 7340 has a fuller sound with less hiss than 112790 | *** | ||
mtx seamons | 95355 | *** | ||||
s2 aud digitalrbb miller | 112790 | *** |
6/27/76 | Auditorium Theatre, Chicago, IL |
aud vernon | 7341 | *** | ||||
aud moore berger minches | 98796 | B+ | *** | |||
sbd digitalrbb miller | 112295 | A- | in comparison on friend of the devil, sbd digitalrbb miller 112295 has a more upfront sound; aud 98796 has a fuller warmer sound than 7341; mtx 123462 is harsher and more echoey than 112295 | static in big river as noted | *** | |
mtx dusborne | 123462 | *** |
6/28/76 | Auditorium Theatre, Chicago, IL |
aud unknown vernon | 9776 | B | *** | |||
shure minches | 18388 | *** | ||||
sbd digitalrbb miller | 112296 | A- | in comparison on high time, sbd digitalrbb miller 112296 has a clearer sound than mtx seamons 112676; for the auds these are different recordings based on different crowd at end of promised land, aud unknown vernon 9776 has a much the fuller upfront but harsher sound than shure 18388 and aud digitalrbb miller 112417 | *** | ||
aud digitalrbb miller | 112417 | *** | ||||
mtx seamons | 112676 | *** |
6/29/76 | Auditorium Theatre, Chicago, IL |
sbd parrillo | 1812 | A- | *** | |||
sbd unknown | 2594 | *** | ||||
sbd bertha | 31144 | drops between tracks | *** | |||
aud digitalrbb miller | 112407 | B- | *** | |||
mtx seamons | 112458 | *** | ||||
s2 sbd miller | 113556 | A | in comparison on candyman sbds, s2 sbd miller 113556 has a little fuller sound but a little more hiss than Bertha 31144 and BBD 1812 which sounded close to each other; bootleg 2594 has most hiss and narrowest harshest sound; mtx seamons 112458 is more echoey and distant; aud digitalrbb miller 112407 is more so; so need s2 sbd miller 113556 and BBD 1812 for the rest | *** |
7/12/76 | Orpheum Theatre, San Francisco, CA |
sbd aj | 7771 | A- | i7771 is a close eac match on d1t5 to10362; they have same digital flaws so chose the first one; in comparison on candyman, mtx 14455 is more echoey, distant and less clear; aud 18508 has a fuller warmer more natural sound with life in the vocals while than sonyecm270 menke motb 0167 113813 had flat and dull vocals with less hiss; aud 123474 has closer sound to 18508 than the motb and with the pitch correction is the most natural sounding | drop d1t13 6:26 | *** | |
sbd unknown | 10362 | *** | ||||
menke minches | 18508 | *** | ||||
flac16; Sony ECM 270's => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] | 113813 | *** | ||||
AUD SOURCE: Analog Audience Source: Aud Master Cassettes (MAC) , Analog Lineage: Sony ECM 270's => Sony TC-152SD >> MAC , MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> | 114455 | *** | ||||
ecm270 | 123474 | *** |
7/13/76 | Orpheum Theatre, San Francisco, CA |
sbd ashley bertha | 9978 | *** | ||||
menke minches | 18427 | B | *** | |||
sbd vernon | 18480 | B | *** | |||
ecm270 | 123475 | B | in comparison on peggio, bertha 9978 has more bass and less hiss and is warmer sound and loses some fullness in the midrange and buries the vocals over 18480; aud 18427 is more natural sound than those but more echoey and not as upfront but still gets to B+ quality sometimes; 123475 has a warmer sound than 18427 | *** |
7/14/76 | Orpheum Theatre, San Francisco, CA |
sbd miller backus | 11938 | big static d1t10 0:48 | *** | |||
menke vernon | 18159 | *** | ||||
sbd vernon | 18594 | B+ | in comparison on ship of fools, sbds 11938 and 18594 have similar sound; 18594 has the patches and fewer digital flaws; aud 18159 is more echoey and harsher and fuller with more hiss; so could choose either as sort of similar quality; 123476 is probably same same recording as 18159 based on same clapping and crowd at beginning of d1t2 but could be nearby tapers; 123476 is not as harsh as 18159 | *** | ||
ecm270 | 123476 | *** |
7/16/76 | Orpheum Theatre, San Francisco, CA |
fob sonyecm180 menke ashley bertha | 8666 | B+ | *** | |||
aud menke | 10377 | *** | ||||
menke cribbs | 16943 | *** | ||||
set1aud set2sbd miller | 23569 | A- | in comparison on high time, sbd 23569 has a warmer sound than bertha 27488 and that has more bass; mtx 28042 is more echoey; in comparison on peggy-o for the auds, 16943 has same checksums as 23569 and has a fuller harsher sound than 8666 which has more hiss; bertha 27488 has less hiss and more bass and is harshest but is easiest to hear the vocals but less natural sound; 123477 is very similar to 16943 except 123477 is a little warmer; so need 23569 for the 2nd set and 123477 for the 1st set | *** | ||
set sbd bertha ashley | 27488 | *** | ||||
mtx dan | 28042 | *** | ||||
ecm270 | 123477 | B+ | *** |
7/17/76 | Orpheum Theatre, San Francisco, CA |
sbd unknown | 243 | static d2t1 4:47; drops between tracks in first set; clicks around patch | *** | |||
menke minches | 18389 | *** | ||||
sbd fricker fix tetzeli | 34708 | A- | 34708 matches st5 of 243 except for d2t5 where it improves the transitions for the aud splice; in comparison on mississippi halfstep, sbd has a more upfront clearer sound than mtx 95734 and aud 18389 | static d2t1 4:47; drops between tracks in first set | *** | |
mtx chappell bertrando | 91827 | in comparison on mississippi halfstep, 91827 has more hiss than 95734 | *** | |||
mtx chappell sb25 | 95734 | *** |
7/18/76 | Orpheum Theatre, San Francisco, CA |
sbd ferguson | 244 | has heavy tv band d1t2 into d2; drops between tracks, d1t3 0:57, d2t7 10:48 | *** | |||
sbd bertha | 14838 | A- | in comparison on stella blue, 14838 has more bass and less hiss than 107832 and 244; 244 has a buzz; in comparison on first let it grow, 14838 has more bass and seems fuller sound although the vocals are more buried and sounds less natural than on 107832 and 244; 107832 is harsher with more crowd; in comparison on wheel and loser, 14838 has a fuller harsher sound with more hiss than 244; so overall chose 14838 but may be able to take some of 244 too | has heavy tv band d1t2 into d2; drops between many tracks; | *** | |
pre fm kbfh berger | 107832 | in comparison on stella blue, both versions on this sounded similar | *** | |||
pre fm kbfh berger | 107833 |
8/2/76 | Colt Park, Hartford, CT |
gatto aj | 245 | B+ | in comparison on Mississippi Half-Step, 245 has a warmer sound than 81456 but lots of digital flaws; 81456 is missing the encores that 245 has at end of d2 | lots of drops on d1t6, d1t9 1:01, repetitive clicks on d1t11; (stopped listening at this point and went to my trade cdrs of this recording) | *** | |
fob singer motb | 81456 | B | wind noise | *** | ||
fob singer motb | 81971 |
8/4/76 | Roosevelt Stadium, Jersey City, NJ |
jones vernon | 12078 | C | *** | |||
sbd cotsman | 12830 | *** | ||||
sbd miller tobin | 35171 | A | in comparison on loser, 35171 has the warmest sound closely followed by 99698; 12830, mtx 120684, and aud 12078 are harsher | *** | ||
sbd berger | 99697 | |||||
sbd berger | 99698 | *** | ||||
mtx dusborne | 120684 | *** |
9/23/76 | Cameron Indoor Stadium, Duke U, Durham, NC |
sbd backus | 14687 | *** | ||||
pa restoration dan | 117651 | B+ | in comparison on It Must Have Been The Roses and high time, these are both suppressed with 14687 having a slightly fuller sound but not enough to compensate for the hiss that is removed on 117651; some songs are A- quality while others are B quality | *** |
9/24/76 | William and Mary College Hall, Williamsburg, VA |
aud unknown | 16901 | A- | *** | |||
Dave's Picks Volume 4: College of William and Mary, Williamsburg, VA | $ | A | *** |
9/25/76 | Capital Centre, Landover, MD |
sbd aj | 246 | *** | ||||
sbd vernon | 10511 | *** | ||||
Dick's Picks | $ | A | also need Dick's Picks 20 Leftovers 10511 | *** |
9/27/76 | Community War Memorial Auditorium, Rochester, NY |
aud parrillo | 3821 | B+ | *** | |||
mtx tobin | 87661 | *** | ||||
sbd miller | 87664 | A- | in comparison on loser, sbd 87664 has a more upfront sound than mtx 87661 and aud 3821 | *** |
9/28/76 | Onongada County War Memorial, Syracuse, NY |
sbd vernon | 10512 | B+ | (needed to fill in dp20); in comparison on its all over now, 4044 seems like from a 32k dat and is warmer but less natural sounding than 10512; in comparison on bertha, 14355 looks noiser in the high end than 10512 but not sure I could hear it; so need this plus dp20; Its al over now raes A-, bertha rated B+ | *** | ||
sbd vernon | 14355 | *** | ||||
aud vernon | 14356 | B | in comparison on comes a time, 14356 has a fuller sound than 100071 | *** | ||
set2 aud unknown andrewf | 100071 | *** |
9/30/76 | Mershon Auditorium, OSU, Columbus, OH |
fob patched unknown | 11939 | *** | ||||
sbd | 18107 | A- | *** | |||
sbd gans cribbs | 30225 | A- | 30225in comparison on sugaree aud 11939 has a fuller sound than 30225 but 30225 is clearer | *** |
10/1/76 | Market Square Arena, Indianapolis, IN |
akgd200e vernon pujol | 10151 | *** | ||||
moore weiner | 14558 | *tape flip in Drums cross faded at 1:01 | *** | |||
sonyecm33p moore berger tallmadge | 84358 | *** | ||||
sbd miller | 111819 | A- | ||||
sbd miller | 112800 | in comparison on friend of the devil, sbd miller 112800 has a fuller clearer more upfront sound than the auds; aud unknown 118468 has a fuller harsher sound than auds 10151, 14558, and 84358 which were closer in sound to each other | *** | |||
bertha | 113042 | |||||
aud unknown | 118467 | |||||
aud unknown | 118468 | B | quality seems to vary by cassete sides with first cassette side having best sound and last cassette side having worst sound | *** |
10/2/76 | Riverfront Arena, Cincinnati, OH |
aud vernon | 10152 | |||||
moore weiner | 14560 | B | in comparison on row jimmy, 14560 has a fuller warmer sound than 10152; first 2 songs are lower quality on 14560; some songs get to B+ | *** |
10/3/76 | Cobo Arena, Detroit, MI |
fmsbd jerugim | 248 | *** | ||||
set2 sbd jim | 12829 | *** | ||||
sbd aud cotsman | 12832 | *** | ||||
aud weiner | 19415 | B | *** | |||
s2 sbd miller | 121945 | A- | in comparison on comes a time the sbds have a similar sound, 12829 and 12832 sounded similar and each had more distortion in the vocals on the comparison segment; 248 had slightly more hiss than 121945; need aud for the beginning of the show from either 12832 or 19415 as they have matching md5 | *** |
10/9/76 | Oakland-Alameda County Stadium, Oakland, CA |
sbd unknown | 249 | *** | ||||
aud vernon | 10179 | *** | ||||
set2 sbd miller | 12519 | *** | ||||
aud fix tetzeli | 83819 | *** | ||||
set mtx dan | 89544 | *** | ||||
aud falanga berger | 99002 | |||||
aud falanga berger | 99003 | B | in comparison on mississippi halfstep, 99003 has a fuller warmer sound with more bass than 83819 | *** | ||
Dick's Picks | $ | A | *** |
10/10/76 | Oakland-Alameda County Stadium, Oakland, CA |
sbd clugston | 3381 | A- | in comparison on loser, sbd 3381 has a more upfront sound and aud 11670 is echoey and boomy | *** | ||
hollwein vernon | 11670 | B | *** |
10/14/76 | Shrine Auditorium, Los Angeles, CA |
bertrando vernon | 12079 | *** | ||||
sbd cotsman | 12614 | B+ | in comparison on peggio, 12614 and 12079 sounded similar; in comparison on ship of fools 12614 has a warmer fuller more upfront sound with less hiss than 12079; aud portion rates B to B+, sbd portion rates A- | *** |
10/15/76 | Shrine Auditorium, Los Angeles, CA |
sbd sacks | 251 | has drops between tracks | *** | |||
bertrando vernon | 11655 | *** | ||||
sbd miller | 84260 | B+ | in comparison on comes a time, sbd 84260 and 251 sound similar and 251 has more digital flaws; aud 105824 has a fuller warmer sound with less hiss than 11655; sbds are more upfront than the auds; for 84260 sbd portion rates A-, aud portion rates B to B+ | *** | ||
fob sonyecm270 menke motb | 105824 | B | *** |
12/31/76 | Cow Palace, Daly City, CA |
fm hollister | 15114 | *** | ||||
pre fm sbd winters | 18524 | *** | ||||
prefm warner | 20760 | *** | ||||
Cow Palace | $ | A | *** |